Exhibitor Projects
Printed Matter presents a symphony a work in progress (pt. II, andante), building on an expansive installation-as-publication first staged by artist and publisher Yusuf Hassan in 2022. For this re-imagined presentation, Yusuf is joined by Kwamé Sorrell—co-publisher of BlackMass—to incorporate a second “slow” movement in response to the first, carrying on the performatory exchange around motifs in music, sculpture, and architecture. With an array of printed pieces, including simple folded sheets, rubber stamp prints, xeroxes, broadsides, and c-prints (as well as video work, sound work, and found objects), the exhibition assembles an improvisatory visual dialog trained on emblems, monuments, diagrams, and language, here understood through the lens of publishing and grounded in the printed form. This exhibition is realized with the generous support of Phil Aarons and Shelley Fox Aarons, with additional support provided by the LAABF Committee. Our thanks to LAXART, Hamza Walker, Kameron McDowell and Tim Fleming for their additional support.
La Tierra Mia - A Chicano Park is a publication and project presented by artist Bob Dominguez that archives memories of Chicano Park in San Diego, which was collectively renamed La Tierra Mia during a standoff in the 1970s. The publication catalogs photos and notes from contributors who have shared a connection to the park over the past 50 years. For LAABF 2023, Dominguez presents photographs and artifacts from this important history, and in doing so, hopes to formulate a story of not only the past, but also the maintenance of history for the future.
poster, performed is a collaborative project by Tricia Treacy + Arzu Ozkal, Wylie Kasai, Steve Bowden, and Mark Zurolo that explores design processes by combining digital media, computer algorithms, and experimental print techniques. The project engages in a dialogue between human and machine generators through the familiar poster format, which has retained its influential role amidst cultural changes brought about by digital printing. Using installation and performance, this project weaves digital content from folders, including submissions from participants around the globe, in order to create a one-of-a-kind computer-generated composite form.
Timeless Art Book Gems is a survey of underground photography and 1960s Japanese art books presented by KOMIYAMA TOKYO, a long-running vintage art book store in Tokyo. The project brings together photographs, zines, and drawings across many different genres from the age of Provoke and Daido Moriyama to 80’s queer magazines, fetish art, and alternative comics. In doing so, KOMIYAMA TOKYO contextualizes contemporary Japanese photobooks within a rich history of subversive independent publishing over the past several decades.
Laurence McGilvery & The Box LA present a special selection of rare and out of print books, catalogues, periodicals, and ephemera. This collaboration between Laurence McGilvery, notable antiquarian bookseller and collector, and The Box LA/Box Editions, a gallery and record/book publisher, engages both forgotten art histories and the work of emerging artists who straddle a similar ethos of risk and experimentation.
Active Cultures and X-TRA present TOTAL LANDSCAPING, a gathering space and series of programs inspired by an ongoing reading group facilitated by the two LA-based organizations. TOTAL LANDSCAPING sets off an investigation of sound, video, and publications in order to explore the contentious spatial politics of Los Angeles. From a survey of land use to a history of publishing in student-led activism, this partnered presentation shares research, records, and resources as exercises in landscaping. Each day gathers around a central theme, explored through activities such as curated conversations and artists readings. Altogether, the project aims to offer tools and opportunities for participant-generated texts and in-the-moment research by way of mapping structures, sites, and power across our experiences of Los Angeles.
2 PM | Publishing as an Organizing Tool: Tactics for Becoming Ungovernable, a workshop facilitated by Kimi Hanauer
This workshop gathers participants around a collection of materials that engage publishing practices as forms of resistance to state power. Through an intentional process of personal reflection and group discussion, participants will co-create a shared manifesto, Tactics for Becoming Ungovernable. By sharing multiple works of theory, strategies, personal accounts, and publishing projects simultaneously, this workshop acts as an invitation into nonlinear collective learning and conversation around abolitionist anarchist perspectives on media-based organizing.
Accessibility: Masks are encouraged during the session. All spaces are wheelchair accessible. Workshops will be held in english; multilingual engagement is warmly welcomed. The book fair can be crowded and loud at times; we will do our best to keep the workshop space calm. Please email liberatorypractice@gmail.com to request in-person closed captioning, ASL or language interpretation, or any other access needs.
Kimi Hanauer (they/them) is an artist, media-based organizer, facilitator, and writer. Kimi is a founding collective member of interdisciplinary publishing initiative, Press Press (est. 2014), and the founding steward of nomadic political education school, Center for Liberatory Practice & Poetry (est. 2021). In their practice, Kimi co-develops pragmatic-poetic initiatives as scaffolds for collective autonomies. Their interdisciplinary projects take various responsive forms, including installations, performances, videos, texts, programs, and printed matter. Informed by anarchist and abolitionist frameworks, their work as a facilitator and educator aims to deepen our collective capacities for self-governance, belonging, solidarity, and care.